{"id":13818,"date":"2024-11-25T18:49:45","date_gmt":"2024-11-25T17:49:45","guid":{"rendered":"https:\/\/www.marsilioarte.it\/?post_type=magazine&#038;p=13818"},"modified":"2024-11-25T18:49:45","modified_gmt":"2024-11-25T17:49:45","slug":"exhibitions-venice-milan-florence-mantua-vicenza","status":"publish","type":"magazine","link":"https:\/\/www.marsilioarte.it\/en\/magazine\/exhibitions-venice-milan-florence-mantua-vicenza\/","title":{"rendered":"The exhibitions to see in December 2024"},"content":{"rendered":"<h2>MARINA APOLLONIO AND JULIE MEHRETU IN VENICE<\/h2><br \/>\r\nThe first stop on our itinerary that epitomizes major exhibitions is Venice, where the Peggy Guggenheim Collection and Palazzo Grassi host two exhibitions dedicated to two contemporary artists. In Palazzo Venier dei Leoni, once home to the famous American patroness, the spotlight shines on the tireless oeuvre of Marina Apollonio, one of the key figures of kinetic and Optical art. Among the promoters of Programmed art, Apollonio analyses forms and materials by applying a rigorous criterion and moving diagonally along the boundaries that separate painting, drawing, sculpture and moving installations. The hundred or so works selected by curator Marianna Gelussi are a vivid testament to this approach and offer the public the opportunity to retrace the long career of the artist, born in Trieste, but Venetian by adoption.<br \/>\r\n<br \/>\r\nOn the opposite bank of the Grand Canal, Palazzo Grassi, home of the Pinault Collection, hosts the largest European exhibition ever dedicated to Julie Mehretu, curated by Caroline Bourgeois. Over fifty paintings and prints made by the artist over the last twenty-five years are displayed alongside more recent works: the result is a total immersion in Mehretu\u2019s artistic philosophy, made even more engaging by the dialogue established with the works of Nairy Baghramian, Huma Bhabha, Tacita Dean, David Hammons, Robin Coste Lewis, Paul Pfeiffer and Jessica Rankin, Mehretu\u2019s colleagues and friends. The ensemble evoked by the title is full, therefore, of living matter, which allows us to identify the thematic and conceptual lines around which the artist\u2019s work takes shape.<br \/>\r\n<br \/>\r\n&nbsp;<br \/>\r\n<h2>LEONARDO DA VINCI, JACOPO BASSANO AND GIANANDREA GAZZOLA IN VICENZA<\/h2><br \/>\r\nAfter Caravaggio, Van Dyck and Sassolino, this year the Basilica Palladiana in Vicenza once again hosts a three-voice dialogue between three artists from different eras. This time the spotlight is on Leonardo da Vinci\u2019s studies and drawings, on the altarpiece with <em>The Flood of the Colmeda<\/em> by Jacopo Bassano and on Gianandrea Gazzola\u2019s site-specific installation as part of the exhibition, which was conceived and sponsored by the Municipality of Vicenza with the co-organisation of Intesa Sanpaolo and the curatorship of Guido Beltramini. The common thread that runs through the centuries and creates a connection between the works is the element of water as an emblem of the natural world and a fundamental resource for existence.<br \/>\r\n<br \/>\r\n&nbsp;<br \/>\r\n<h2>PABLO PICASSO IN MILAN AND MANTUA<\/h2><br \/>\r\nAll eyes are on Pablo Picasso and his status as a \u201cforeigner\u201d in France thanks to the exhibition staged at the Palazzo Reale in Milan, curated by Annie Cohen-Solal and C\u00e9cile Debray. Over ninety works describe the complex relationship between the Spanish artist and the country in which he built his career, suggesting an effective key for analysing Picasso\u2019s artistic philosophy. Annie Cohen-Solal is also the curator of the exhibition that establishes a dialogue between the work of the artist and the frescoes by Giulio Romano in the setting of Palazzo Te in Mantua. In this case, the common thread is poetry, a tool of \u201csalvation\u201d adopted by Picasso to cope with the difficulties arising from his status as a \u201cforeigner\u201d.<br \/>\r\n<br \/>\r\n<strong>\u00a0<\/strong><br \/>\r\n<h2>UGO MULAS AND JEAN TINGUELY IN MILAN<\/h2><br \/>\r\nThe bond between Ugo Mulas and Milan is one of the focal points of the exhibition that Palazzo Reale dedicates to the unforgettable photographer. Curated by Denis Curti and Alberto Salvadori, the monographic exhibition takes stock of Mulas\u2019s photographic career by bringing together over two hundred and fifty shots that encompass the subjects and themes dear to the author. A journey through images that goes beyond the confines of Palazzo Reale and even lands in various Milanese cultural institutions thanks to the <em>Ugo Mulas in citt\u00e0<\/em> project.<br \/>\r\n<br \/>\r\nAt Pirelli HangarBicocca, the protagonist is Jean Tinguely, subject of the largest retrospective organized in Italy since the artist\u2019s death. Curated by Camille Morineau, Lucia Pesapane and Vicente Todol\u00ed with Fiammetta Griccioli, the exhibition augments the cultural events designed to celebrate the centenary of Tinguely\u2019s birth, in 1925. More than thirty works fill the spaces of the Navate, placing the emphasis on the experimental approach adopted by the artist and demonstrated by the use of waste objects and welded gears to give shape to sound and motorized machines. There is no shortage of references to the relationship between Tinguely and Milan, the city that hosted (in 1970) the iconic performance-show <em>La Vittoria<\/em>, staged in front of the Duomo.<br \/>\r\n<br \/>\r\n&nbsp;<br \/>\r\n<h2>HELEN FRANKENTHALER IN FLORENCE<\/h2><br \/>\r\nThere is time until 26 January 2025 to visit the Florentine exhibition dedicated to Helen Frankenthaler \u2013 the most complete one ever held in Italy. Curated by Douglas Dreishpoon and hosted by Palazzo Strozzi, it includes a series of works created between 1953 and 2002, in addition to works by colleagues Jackson Pollock, Morris Louis, Robert Motherwell, Kenneth Noland, Mark Rothko, David Smith, Anthony Caro and Anne Truitt. The aim is to highlight the innovative nature of Helen Frankenthaler\u2019s painting through the filter of the affinities and bonds of friendship that accompanied her human and creative journey. A can\u2019t-miss opportunity to admire the work of one of the most revolutionary artists of the last century.","protected":false},"featured_media":0,"template":"","meta":{"inline_featured_image":false,"footnotes":""},"categorie_magazine":[343],"class_list":["post-13818","magazine","type-magazine","status-publish","hentry","categorie_magazine-words-from-marte"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.2 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>The exhibitions to see in December 2024 - Marsilio Arte<\/title>\n<meta name=\"description\" content=\"Marina Apollonio and Julie Mehretu in Venice,, Pablo Picasso in Milan and Mantua are some of the exhibitions we recommend you to see\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.marsilioarte.it\/en\/magazine\/exhibitions-venice-milan-florence-mantua-vicenza\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"The exhibitions to see in December 2024\" \/>\n<meta property=\"og:description\" content=\"Venice, Vicenza, Milan, Mantua and Florence: these are the destinations we suggest you add to your calendar in view of the 2024 holidays. 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