{"id":14136,"date":"2024-12-17T15:07:41","date_gmt":"2024-12-17T14:07:41","guid":{"rendered":"https:\/\/www.marsilioarte.it\/?post_type=magazine&p=14136"},"modified":"2024-12-17T17:06:11","modified_gmt":"2024-12-17T16:06:11","slug":"on-art-pesaro-lessons","status":"publish","type":"magazine","link":"https:\/\/www.marsilioarte.it\/en\/magazine\/on-art-pesaro-lessons\/","title":{"rendered":"On Art Pesaro: what we have learned from the lessons by Stefano Mancuso, Chiara Valerio, Laura Pepe and Riccardo Falcinelli"},"content":{"rendered":"Art reads the world: this was the claim that accompanied the debut of on Art Pesaro<\/em>, the joint event by Intesa Sanpaolo and Marsilio Arte staged at the Teatro Sperimentale. In the wake of the themes proposed by Pesaro Italian Capital of Culture 2024 \u2012 nature, culture, technology \u2012, Stefano Mancuso, Chiara Valerio, Laura Pepe and Riccardo Falcinelli shaped four different tales \u2012 inspired by their disciplines of expertise \u2012, guiding the audience along a path full of ideas and new perspectives on the present time.
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THE LECTURE BY STEFANO MANCUSO<\/h2>
\r\nDuring the lecture entitled Man is the measure of all things<\/em>, Stefano Mancuso, lecturer in Plant ethology and General arboriculture at the University of Florence and director of the International Laboratory of Plant Neurobiology (LINV), questioned the impact generated by the secular centrality of the human being, who understands himself as the \u201cmeasure\u201d of all that is. What effects does this hierarchical belief create in the different fields of existence and in art in particular? If, since the 1600s, those who paint human figures have been considered better artists than those who depict living animals, plants or motionless objects, it is therefore not surprising that, jumping forward to recent times, Lucian Freud is widely celebrated for his ability to depict human beings, but not for his equally extraordinary ability to portray the plant world.
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THE LECTURE BY CHIARA VALERIO<\/h2>
\r\nBut what is the future of images? And what relationship do they establish with words? This question was asked by Chiara Valerio \u2012 writer, editor and radio host \u2012 in a lecture emblematically entitled All images will disappear<\/em>. Relying on the familiar universe of literature, Valerio hypothesized the fate of images in the age of Artificial Intelligence: since they notoriously take up space to be stored, it is natural to convert them into a series of instructions that must nevertheless be provided to the machine in the most effective way possible. Mastering the logic of description and the rules of ecphrasis then becomes a prerequisite for images to take on new \u201cguises\u201d, freeing themselves from the limitations of memory space.
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THE LECTURE BY LAURA PEPE<\/h2>
\r\nOne of the most complex relationships of all time was examined in the lecture Man and Nature <\/em>in the classical world <\/em>delivered by Laura Pepe, historian and scholar of the classical world, lecturer in Roman law and the Rights of antiquity at the University of Milan. Mythology and the thought of authors like Ovid and Lucretius illuminated a tale studded with metamorphoses and leaps, in both directions, between the worlds of nature and culture. From the myth of Actaeon to the founding legend of Thebes, the dialogue between the two spheres proceeds under the sign of harmony and discontinuity, revealing a system that is at times conflicting, even though the criterion of human respect for nature is one of the cornerstones on which the foundations of ancient Greek civilization rest.
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THE LECTURE BY RICCARDO FALCINELLI<\/h2>
\r\nNature was once again in the spotlight during the concluding lecture by Riccardo Falcinelli, graphic designer, author and lecturer in the Psychology of perception at the ISIA Faculty of Design in Rome. He entitled his talk How to look at a landscape. (Artificial natures and natural artifacts)<\/em> and shifted the focus to our gaze, asking: what do we really look at? And what do a forest painted by Corot and a photograph taken today in a holiday resort and published on social platforms have in common? The answers come if we break down the device of images and understand their use and mechanisms. This is the only way to understand that the gaze we place on the world \u2012 in this case on the landscape \u2012 always has a cultural background and is therefore conditioned \u2012 often unconsciously \u2012 by the images we have already seen.
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\r\nGiving the audience different perspectives to observe reality, Stefano Mancuso, Chiara Valerio, Laura Pepe and Riccardo Falcinelli composed a mosaic in which art is a versatile piece, combining well with the many different disciplines called upon during the on Art Pesaro<\/em> lectures.
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\r\nArianna Testino","protected":false},"featured_media":0,"template":"","meta":{"inline_featured_image":false,"footnotes":""},"categorie_magazine":[343],"class_list":["post-14136","magazine","type-magazine","status-publish","hentry","categorie_magazine-words-from-marte"],"acf":[],"yoast_head":"\nOn Art Pesaro: what we have learned from the lessons by Stefano Mancuso, Chiara Valerio, Laura Pepe and Riccardo Falcinelli - Marsilio Arte<\/title>\n<meta name=\"description\" content=\"Art reads the world: this was the claim of on Art Pesaro, the event promoted by Intesa Sanpaolo and Marsilio Arte at the Teatro Sperimentale\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.marsilioarte.it\/en\/magazine\/on-art-pesaro-lessons\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"On Art Pesaro: what we have learned from the lessons by Stefano Mancuso, Chiara Valerio, Laura Pepe and Riccardo Falcinelli\" \/>\n<meta property=\"og:description\" content=\"Art reads the world: this was the claim that accompanied the debut of on Art Pesaro, the joint event by Intesa Sanpaolo and Marsilio Arte staged at the Teatro Sperimentale\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.marsilioarte.it\/en\/magazine\/on-art-pesaro-lessons\/\" \/>\n<meta property=\"og:site_name\" content=\"Marsilio Arte\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/MarsilioArte\" \/>\n<meta property=\"article:modified_time\" content=\"2024-12-17T16:06:11+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.marsilioarte.it\/wp-content\/uploads\/2024\/09\/banner_1200x800.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"2500\" \/>\n\t<meta property=\"og:image:height\" content=\"1667\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:site\" content=\"@MarsilioArte\" \/>\n<meta name=\"twitter:label1\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data1\" content=\"4 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\/\/www.marsilioarte.it\/en\/magazine\/on-art-pesaro-lessons\/\",\"url\":\"https:\/\/www.marsilioarte.it\/en\/magazine\/on-art-pesaro-lessons\/\",\"name\":\"On Art Pesaro: what we have learned from the lessons by Stefano Mancuso, Chiara Valerio, Laura Pepe and Riccardo Falcinelli - 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