{"id":15064,"date":"2025-04-16T11:06:20","date_gmt":"2025-04-16T09:06:20","guid":{"rendered":"https:\/\/www.marsilioarte.it\/?post_type=magazine&#038;p=15064"},"modified":"2025-04-16T13:45:51","modified_gmt":"2025-04-16T11:45:51","slug":"exhibitions-berggruen-arts-culture-venice","status":"publish","type":"magazine","link":"https:\/\/www.marsilioarte.it\/en\/magazine\/exhibitions-berggruen-arts-culture-venice\/","title":{"rendered":"Architecture, contemporary art and photography: the new exhibitions by Berggruen Arts &#038; Culture in Venice"},"content":{"rendered":"Following its restoration and reopening to the public in 2024, Palazzo Diedo raises the curtain on a new season of events hosted at the historic Venetian building. In addition to the site-specific installations by Piero Golia and Marcantonio Brandolini d\u2019Adda, the spotlight is on <em>The Next Earth: Computation, Crisis, Cosmology<\/em>, a collateral event of the 19th International Architecture Exhibition \u2012 La Biennale di Venezia, which is scheduled to start on 10 May 2025.<br \/>\r\n<br \/>\r\nThe Casa dei Tre Oci, on the other hand, is hosting Matthias Schaller\u2019s photographs that were inspired by the architecture of the city. Mario Codognato, director of Berggruen Arts &amp; Culture, shared the details with us.<br \/>\r\n<h2>THE INTERVIEW WITH MARIO CODOGNATO<\/h2><br \/>\r\n<strong>The new exhibition schedule by Berggruen Arts &amp; Culture for the Venetian venues of Palazzo Diedo and Casa dei Tre Oci focuses on interdisciplinarity and environmental issues, the latter being the protagonists of <em>The Next Earth: Computation, Crisis, Cosmology<\/em>, the \u201ccollateral event\u201d presented by Palazzo Diedo in conjunction with the 19th International Architecture Exhibition \u2012 La Biennale di Venezia.<\/strong> <strong>Can you tell us a little more about this exhibition?<\/strong><br \/>\r\n<br \/>\r\nThe exhibition seeks to bring together two major research initiatives, Antikythera\u2019s <em>Planetary Sapience<\/em> and the MIT Department of Architecture\u2019s <em>Climate Work: Un\/Worlding the Planet<\/em>. In keeping with the theme of the Biennale, we want to address the most pressing questions about the future of our planet and the role of architecture in shaping it. Spread across two floors of Palazzo Diedo, <em>The Next Earth<\/em> adopts the research by the Antikythera group to examine the Earth as an evolving megastructure through historical artifacts and immersive installations. Concurrently, we will present forty visionary projects from the MIT School of Architecture on sustainable design practices. Bringing together planetary computation and climate-focused architecture, <em>The Next Earth: Computation, Crisis, Cosmology<\/em> challenges visitors to reconsider humanity\u2019s environmental impact and technological future.<br \/>\r\n<br \/>\r\n&nbsp;<br \/>\r\n<br \/>\r\n<strong>Also at Palazzo Diedo are two new site-specific installations by Marcantonio Brandolini d\u2019Adda and Piero Golia.<\/strong> <strong>What are their distinctive characteristics and how do they interact with the public within the permanent collection?<\/strong><br \/>\r\n<br \/>\r\nMaking the traditional Venetian terrazzo technique his own, Golia camouflaged his intervention in the floor of the <em>portego<\/em>, or reception hall, of Palazzo Diedo\u2019s ground floor. This despite the raw building materials being in plain view of the public, signalling, with the presence of a worker, that something was going to happen soon. But the piece only reveals itself when darkness falls.<br \/>\r\n<br \/>\r\nBrandolini, on the other hand, intervened in one of the original fireplaces. Using pieces of <em>cotisso<\/em>, or leftover raw glass from previous fusions, the artist restored light to the space thanks to the interplay of reflections on the irregular surface of the glass, producing myriad shades of colour that evoke the typical hues of a fire. The intention is obviously to recreate the heat that once animated the room, projecting the memory of the lit fireplace into the present.<br \/>\r\n<h2>THE EXHIBITIONS AT PALAZZO DIEDO AND CASA DEI TRE OCI IN VENICE<\/h2><br \/>\r\n<strong>In addition to the aforementioned exhibition <em>The Next Earth: Computation, Crisis, Cosmology<\/em>, can you tell us something about the events that visitors will be able to see at Palazzo Diedo starting in May?<\/strong><br \/>\r\n<br \/>\r\nThe public will see the Palazzo further transformed and ready to meet the challenges of the years to come.<br \/>\r\n<br \/>\r\n&nbsp;<br \/>\r\n<br \/>\r\n<strong>Venetian architecture is the heart of <em>Controfacciata<\/em>, the photographic project by Matthias Schaller, exhibited at the Casa dei Tre Oci.<\/strong> <strong>How does this exhibition fit into the setting of this building on the island of Giudecca?<\/strong> <strong>And what outlook does it suggest in relation to the city?<\/strong><br \/>\r\n<br \/>\r\nIn the project <em>Controfacciata<\/em>, Matthias Schaller continues his investigation into the representation of absence, creating a series of photographs of private Venetian interiors taken this year. This series is part of his broader anthropological and photographic research, which uses the image to explore the relationship between the context and the identity of those who live or have lived there. A portrait of Venice and its uniqueness, even in architectural terms, through the <em>porteghi<\/em> (reception halls) of the buildings. The Casa dei Tre Oci is also captured and displayed in the exhibition, here as a mirror of itself.<br \/>\r\n<br \/>\r\n&nbsp;<br \/>\r\n<br \/>\r\n<strong>Interview by Arianna Testino<\/strong>","protected":false},"featured_media":15056,"template":"","meta":{"inline_featured_image":false,"footnotes":""},"categorie_magazine":[343],"class_list":["post-15064","magazine","type-magazine","status-publish","has-post-thumbnail","hentry","categorie_magazine-words-from-marte"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.2 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Architecture, contemporary art and photography: the new exhibitions by Berggruen Arts &amp; Culture in Venice - Marsilio Arte<\/title>\n<meta name=\"description\" content=\"Mario Codognato, director of Berggruen Arts &amp; Culture, describes the new exhibitions and installations at Palazzo Diedo and Casa dei Tre Oci\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.marsilioarte.it\/en\/magazine\/exhibitions-berggruen-arts-culture-venice\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Architecture, contemporary art and photography: the new exhibitions by Berggruen Arts &amp; Culture in Venice\" \/>\n<meta property=\"og:description\" content=\"Mario Codognato, director of Berggruen Arts &amp; Culture, describes the new exhibitions and installations at Palazzo Diedo and Casa dei Tre Oci\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.marsilioarte.it\/en\/magazine\/exhibitions-berggruen-arts-culture-venice\/\" \/>\n<meta property=\"og:site_name\" content=\"Marsilio Arte\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/MarsilioArte\" \/>\n<meta property=\"article:modified_time\" content=\"2025-04-16T11:45:51+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.marsilioarte.it\/wp-content\/uploads\/2025\/04\/Foto-di-Massimo-Pistore_08.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"2500\" \/>\n\t<meta property=\"og:image:height\" content=\"1667\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:site\" content=\"@MarsilioArte\" \/>\n<meta name=\"twitter:label1\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data1\" content=\"4 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\/\/www.marsilioarte.it\/en\/magazine\/exhibitions-berggruen-arts-culture-venice\/\",\"url\":\"https:\/\/www.marsilioarte.it\/en\/magazine\/exhibitions-berggruen-arts-culture-venice\/\",\"name\":\"Architecture, contemporary art and photography: the new exhibitions by Berggruen Arts & Culture in Venice - Marsilio Arte\",\"isPartOf\":{\"@id\":\"https:\/\/www.marsilioarte.it\/en\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\/\/www.marsilioarte.it\/en\/magazine\/exhibitions-berggruen-arts-culture-venice\/#primaryimage\"},\"image\":{\"@id\":\"https:\/\/www.marsilioarte.it\/en\/magazine\/exhibitions-berggruen-arts-culture-venice\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/www.marsilioarte.it\/wp-content\/uploads\/2025\/04\/Foto-di-Massimo-Pistore_08.jpg\",\"datePublished\":\"2025-04-16T09:06:20+00:00\",\"dateModified\":\"2025-04-16T11:45:51+00:00\",\"description\":\"Mario Codognato, director of Berggruen Arts & Culture, describes the new exhibitions and installations at Palazzo Diedo and Casa dei Tre Oci\",\"breadcrumb\":{\"@id\":\"https:\/\/www.marsilioarte.it\/en\/magazine\/exhibitions-berggruen-arts-culture-venice\/#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/www.marsilioarte.it\/en\/magazine\/exhibitions-berggruen-arts-culture-venice\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/www.marsilioarte.it\/en\/magazine\/exhibitions-berggruen-arts-culture-venice\/#primaryimage\",\"url\":\"https:\/\/www.marsilioarte.it\/wp-content\/uploads\/2025\/04\/Foto-di-Massimo-Pistore_08.jpg\",\"contentUrl\":\"https:\/\/www.marsilioarte.it\/wp-content\/uploads\/2025\/04\/Foto-di-Massimo-Pistore_08.jpg\",\"width\":2500,\"height\":1667,\"caption\":\"Matthias Schaller. 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