{"id":15483,"date":"2025-06-25T15:51:33","date_gmt":"2025-06-25T13:51:33","guid":{"rendered":"https:\/\/www.marsilioarte.it\/?post_type=magazine&p=15483"},"modified":"2025-06-25T15:51:33","modified_gmt":"2025-06-25T13:51:33","slug":"summer-2025-exhibitions","status":"publish","type":"magazine","link":"https:\/\/www.marsilioarte.it\/en\/magazine\/summer-2025-exhibitions\/","title":{"rendered":"Summer 2025: the exhibitions to see in Venice and beyond"},"content":{"rendered":"

IN VENICE, 8 EXHIBITIONS NOT TO BE MISSED<\/h2>
\r\nThe many exhibitions currently on display in Venice are an excellent incentive to choose the city as a holiday destination. Until 27 July 2025, the Gallerie dell\u2019Accademia will host the exhibition Corpi moderni. The Making of the Body in Renaissance Venice. Leonardo, Michelangelo, D\u00fcrer, Giorgione<\/em>, curated by Guido Beltramini, Francesca Borgo and Giulio Manieri Elia. A journey through the transformations that affected the human body during the Renaissance in Venice, combining anatomy, desire and culture.
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\r\nUntil 10 August 2025 and 6 January 2026 respectively you have the possibility to visit the exhibitions that Le Stanze della Fotografia on the island of San Giorgio Maggiore are dedicating to the photographs of Maurizio Galimberti and Robert Mapplethorpe. Both curated by Denis Curti, the exhibitions offer the public the opportunity to closely observe the famous works of the photographer born in Como and the career of the American artist, read through the lens of classicism.
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\r\nAt the Peggy Guggenheim Collection, about seventy works summarize the pictorial history of Maria Helena Vieira da Silva in the exhibition curated by Flavia Frigeri, open until 15 September. The time span examined, which ranges from the 1930s to the end of the 1980s, encompasses Vieira da Silva\u2019s entire artistic career and her ability to navigate the boundary between figuration and abstraction, giving life to an oeuvre that was independent from the Informal movement, which she was often grouped with.
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\r\nUntil 23 November 2025 and 4 January 2026, Punta della Dogana and Palazzo Grassi, the Venetian venues of the Pinault Collection, will respectively provide the backdrop for the works of Thomas Sch\u00fctte \u2013 curated by Camille Morineau and Jean-Marie Gallais \u2013 and the interventions of Tatiana Trouv\u00e9, protagonists of the exhibition curated by Caroline Bourgeois and James Lingwood in collaboration with the artist herself. While the focus at Punta della Dogana is on the works in the Pinault Collection \u2013 a starting point for analyzing the themes addressed by Thomas Sch\u00fctte \u2012, Palazzo Grassi \u201creacts\u201d to the new sculptures, drawings and site-specific installations by Tatiana Trouv\u00e9 juxtaposed with works from the last decade.
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\r\nThe exhibition Controfacciata<\/em> by German photographer Matthias Schaller, curated by Mario Codognato at La Casa dei Tre Oci, the lagoon headquarters of the Berggruen Institute Europe on the island of Giudecca, will also end on 23 November. Don\u2019t miss this chance to admire the photographs taken by Schaller as an integral part of his investigation of Venice and its architecture, which began in 2004.
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\r\nAt Palazzo Diedo meanwhile, Berggruen Arts & Culture, the exhibition space of the Berggruen Arts & Culture galaxy, is hosting a collateral event to the Architecture Biennale 2025 \u2012 The Next Earth.<\/em> Computation, Crisis, Cosmology<\/em> until 23 November. The exhibition shifts the gaze to the urgencies of today and aims to bring together two fundamental research initiatives, Planetary Sapience<\/em> by Antikythera and Climate Work: Un\/Worlding the Planet<\/em> by the MIT Department of Architecture.
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IN MILAN, THE EXHIBITIONS BY TAREK ATOUI AND YUKINORI YANAGI<\/h2>
\r\nThe summer at Pirelli HangarBicocca in Milan shines a spotlight on the artistic practices of Tarek Atoui and Yukinori Yanagi, protagonists of the exhibitions being stage in the Shed and Navate spaces respectively. Entitled Improvisation in 10 Days<\/em>, curated by Lucia Aspesi and open until 20 July 2025, Tarek Atoui\u2019s first solo exhibition in Italy is rooted in the concept of improvisation to explore the potential of sound \u2012 the focus of the Lebanese electroacoustic artist and composer\u2019s work \u2012, establishing a dialogue with the material of the pieces, with the surrounding architecture and with the visitors who temporarily inhabit it.
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\r\nICARUS<\/em>, on the other hand, is the name of the first major European anthology, curated by Vicente Todol\u00ed with Fiammetta Griccioli, dedicated to the artistic work of Yukinori Yanagi. Until 27 July, visitors to HangarBicocca will be able to observe works dating back to the 1990s and 2000s alongside more recent installations, capturing the key themes of Yanagi\u2019s artistic philosophy \u2013 from nationalism to the paradoxes of today\u2019s societies.
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IN FLORENCE WITH TRACEY EMIN<\/h2>
\r\nThe exhibition staged in Florence at Palazzo Strozzi until 20 July 2025 is the largest Italian exhibition dedicated to Tracey Emin. Tracey Emin.<\/em> Sex and Solitude<\/em>, curated by Arturo Galansino, retraces the career of the British artist from the 1990s to the present day, welcoming over sixty works including installations, paintings, drawings and sculptures. What stands out are the anchor points of Tracey Emin\u2019s artistic philosophy: desire, sacrifice, the body and love.
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CARAVAGGIO CONQUERS ROME<\/h2>
\r\nCurated by Francesca Cappelletti, Maria Cristina Terzaghi and Thomas Clement Salomon, the exhibition Caravaggio 2025<\/em> is being hosted at Palazzo Barberini, in Rome, until 6 July 2025. In addition to the most famous works, the exhibition offers new visibility to lesser-known paintings, exceptional loans and recent discoveries, such as the Ecce Homo<\/em> rediscovered in Madrid. The goal? To describe and showcase Michelangelo Merisi\u2019s extraordinary contribution to the pictorial history of his time.
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