{"id":18630,"date":"2026-07-08T12:07:17","date_gmt":"2026-07-08T10:07:17","guid":{"rendered":"https:\/\/www.marsilioarte.it\/?post_type=magazine&#038;p=18630"},"modified":"2026-07-08T12:07:17","modified_gmt":"2026-07-08T10:07:17","slug":"joseph-kosuth-exhibition-venice","status":"publish","type":"magazine","link":"https:\/\/www.marsilioarte.it\/en\/magazine\/joseph-kosuth-exhibition-venice\/","title":{"rendered":"A visit to the Joseph Kosuth exhibition in Venice together with the curators"},"content":{"rendered":"\u201cJoseph Kosuth focused on the essence of communication, of which art is a form, through language.\u201d With these words, Mario Codognato, curator, together with Adriana Rispoli, of the exhibition <em>The-exchange-value-of-language-has-fallen-to-zero<\/em> at the Casa dei Tre Oci, the Venetian venue of the Berggruen Institute Europe, describes the practice of Joseph Kosuth, a pioneer of the conceptual movement. As Rispoli also emphasizes, \u201cKosuth always used language as a tool to reach the public, which is invited to simultaneously read and experience the work in space.\u201d<br \/>\r\n<h2>JOSEPH KOSUTH IN VENICE<\/h2><br \/>\r\nThe historic works and the new installation featured in the exhibition offer visitors a valuable insight into the philosophy of an artist capable of spanning the ages, while the catalogue published by Marsilio Arte includes an essay by the curators and a never-before published conversation with Hans Ulrich Obrist.","protected":false},"featured_media":18627,"template":"","meta":{"inline_featured_image":false,"footnotes":""},"categorie_magazine":[343],"class_list":["post-18630","magazine","type-magazine","status-publish","has-post-thumbnail","hentry","categorie_magazine-words-from-marte"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.7 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>A visit to the Joseph Kosuth exhibition in Venice together with the curators - Marsilio Arte<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.marsilioarte.it\/en\/magazine\/joseph-kosuth-exhibition-venice\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"A visit to the Joseph Kosuth exhibition in Venice together with the curators - Marsilio Arte\" \/>\n<meta property=\"og:description\" content=\"\u201cJoseph Kosuth focused on the essence of communication, of which art is a form, through language.\u201d With these words, Mario Codognato, curator, together with Adriana Rispoli, of the exhibition The-exchange-value-of-language-has-fallen-to-zero at the Casa dei Tre Oci, the Venetian venue of the Berggruen Institute Europe, describes the practice of Joseph Kosuth, a pioneer of the conceptual [&hellip;]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.marsilioarte.it\/en\/magazine\/joseph-kosuth-exhibition-venice\/\" \/>\n<meta property=\"og:site_name\" content=\"Marsilio Arte\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/MarsilioArte\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.marsilioarte.it\/wp-content\/uploads\/2026\/07\/HUB0098-3-600x400.jpg\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:site\" content=\"@MarsilioArte\" \/>\n<meta name=\"twitter:label1\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data1\" content=\"1 minute\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/www.marsilioarte.it\\\/en\\\/magazine\\\/joseph-kosuth-exhibition-venice\\\/\",\"url\":\"https:\\\/\\\/www.marsilioarte.it\\\/en\\\/magazine\\\/joseph-kosuth-exhibition-venice\\\/\",\"name\":\"A visit to the Joseph Kosuth exhibition in Venice together with the curators - Marsilio Arte\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.marsilioarte.it\\\/en\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/www.marsilioarte.it\\\/en\\\/magazine\\\/joseph-kosuth-exhibition-venice\\\/#primaryimage\"},\"image\":{\"@id\":\"https:\\\/\\\/www.marsilioarte.it\\\/en\\\/magazine\\\/joseph-kosuth-exhibition-venice\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/www.marsilioarte.it\\\/wp-content\\\/uploads\\\/2026\\\/07\\\/HUB0098-3.jpg\",\"datePublished\":\"2026-07-08T10:07:17+00:00\",\"breadcrumb\":{\"@id\":\"https:\\\/\\\/www.marsilioarte.it\\\/en\\\/magazine\\\/joseph-kosuth-exhibition-venice\\\/#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/www.marsilioarte.it\\\/en\\\/magazine\\\/joseph-kosuth-exhibition-venice\\\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/www.marsilioarte.it\\\/en\\\/magazine\\\/joseph-kosuth-exhibition-venice\\\/#primaryimage\",\"url\":\"https:\\\/\\\/www.marsilioarte.it\\\/wp-content\\\/uploads\\\/2026\\\/07\\\/HUB0098-3.jpg\",\"contentUrl\":\"https:\\\/\\\/www.marsilioarte.it\\\/wp-content\\\/uploads\\\/2026\\\/07\\\/HUB0098-3.jpg\",\"width\":2048,\"height\":1365,\"caption\":\"Mario Codognato e Adriana Rispoli. 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