{"id":8981,"date":"2024-04-15T13:04:52","date_gmt":"2024-04-15T11:04:52","guid":{"rendered":"https:\/\/www.marsilioarte.it\/?post_type=mostre-ed-eventi&#038;p=8981"},"modified":"2025-07-14T16:24:08","modified_gmt":"2025-07-14T14:24:08","slug":"willem-de-kooning-and-italy","status":"publish","type":"mostre-ed-eventi","link":"https:\/\/www.marsilioarte.it\/en\/events-and-exhibitions\/willem-de-kooning-and-italy\/","title":{"rendered":"Willem de Kooning and Italy"},"content":{"rendered":"<strong>The exhibition will be the first to explore the time de Kooning spent in Italy in 1959 and 1969<\/strong> and the profound impact those visits had on his work. It brings together around 75 works, making it the largest presentation of the artist ever organised in Italy. The curators of the exhibition, Gary Garrels and Mario Codognato, will establish the influence of Italy on de Kooning\u2019s subsequent paintings, drawings and sculpture in America, which has never before been thoroughly researched. The lasting effect of these two creative periods will be revealed in an outstanding selection of works, ranging from the late 1950s through to the 1980s.<br \/>\r\n<br \/>\r\n<strong>Willem de Kooning and Italy<\/strong><br \/>\r\n<br \/>\r\nThis exhibition will trace the impact of Willem de Kooning\u2019s two extended visits to Italy, one in 1959 and one in 1969, on the works that followed each and on the trajectory of his \u0153uvre. The lasting effect of these two creative periods will be revealed in an exemplary selection of works, ranging from the late 1950s through to the 1980s, from important private and museum collections both in Europe and the United States.<br \/>\r\n<br \/>\r\nThe exhibition will include a selection of the large and striking \u201cBlack and White Rome\u201d drawings de Kooning made during his first extended visit to Rome in 1959. They will be shown with works from the late 1950s, made in the years leading up to de Kooning\u2019s first visit to Italy. For the first time, three of de Kooning\u2019s best-known pastoral landscapes Door to the River, A Tree in Naples and Villa Borghese will be exhibited together. Painted in New York in 1960, the lingering memory of his trip to Italy is clear. This section of the exhibition also includes large figurative paintings from the mid-1960s that paved the way for his interest in sculpture. A gallery focusing on sculpture will showcase thirteen small bronzes that de Kooning made in Rome. Created after a chance encounter while in Rome with a sculptor friend, these were the result of the artist\u2019s first experiments with clay, leading him to produce a substantial body of sculpture back in New York from 1972 to 1974. The exhibition will also place painting and sculpture in dialogue with drawings from the 1960s and 1970s. Highlights include four ink drawings that de Kooning made while in Spoleto in 1969, presented alongside a complementary selection of intimate, gestural drawings that are conceptually related to the sculptures. In these drawings de Kooning fragmented the figure, often leaving empty spaces balanced against his vigorous lines.<br \/>\r\n<h2>Willem de Kooning, a\u00a0maverick painter<\/h2><br \/>\r\nWillem de Kooning (1904, Rotterdam, the Netherlands \u2013 1997, East Hampton, USA) was one of the great artists of the twentieth century. He received critical acclaim in 1948 with a one person exhibition of non-representational, densely worked, oil and enamel paintings, including his now revered black-and-white paintings. Shortly thereafter, in 1950, de Kooning completed <em>Excavation<\/em>, a related grand-scaled abstraction. Arguably one of the most important paintings<br \/>\r\nof the twentieth century, Excavation was chosen as one of the works to represent the United States at the XXV Venice Biennale, June 3 \u2013 October 15, 1950. This would be de Kooning\u2019s first of six Biennales (1950, 1954, 1956, 1978, 1986 and 1988).<br \/>\r\n<br \/>\r\nA maverick painter, who rejected the accepted stylistic norms by dissolving the relationship between foreground and backgr<a href=\"https:\/\/www.marsilioarte.it\/en\/magazine\/exhibition-jean-cocteau-venice-peggy-guggenheim-collection\/\">ound and by using paint to create emotive, abstract gestures, de Kooning, w<\/a>ith his peers of the late forties and early fifties, was variously labelled as an \u201cAction Painter,\u201d \u201cAbstract Expressionist\u201d or simply of the \u201cNew York School.\u201d De Kooning was one of the handful of non-conforming artists responsible for the historic shift of the center of avant-garde art from Paris to New York in the years following World War II. De Kooning was awarded many honours in his lifetime, including The Presidential Medal of Freedom in 1964, USA. His artwork has been included in thousands of exhibitions and is in the permanent collections of many of the world\u2019s eminent art institutions, including the Peggy Guggenheim Collection, Venice; the Stedelijk Museum, Amsterdam; Tate Modern, London; The Museum of Modern Art, New York; Solomon R. Guggenheim Museum, New York; The Metropolitan Museum of Art, New York; the Art Institute of Chicago; the Smithsonian Institution\u2019s Hirshhorn Museum &amp; Sculpture Garden, Washington D.C.; the National Gallery of Art, Washington, D.C. and the National Gallery of Australia, Canberra. Major publications have been authored by Gabriella Drudi, John Elderfield, Gary Garrels, Thomas Hess, Harold Rosenberg, Richard Shiff, and Judith Zilzcer.<br \/>\r\n<br \/>\r\nWillem de Kooning and Italy is part of the Gallerie dell\u2019Accademia\u2019s exhibition series of the great protagonists of modern and contemporary art. The exhibition has been designed by UNA\/UNLESS directed by architect Giulia Foscari. It will be the first major exhibition of de Kooning\u2019s work in Italy since 2006 and the largest presentation of his art ever organised in the country.","protected":false},"featured_media":8975,"template":"","meta":{"inline_featured_image":false,"footnotes":""},"class_list":["post-8981","mostre-ed-eventi","type-mostre-ed-eventi","status-publish","has-post-thumbnail","hentry"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.2 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Willem de Kooning and Italy - Marsilio Arte<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.marsilioarte.it\/en\/events-and-exhibitions\/willem-de-kooning-and-italy\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Willem de Kooning and Italy - Marsilio Arte\" \/>\n<meta property=\"og:description\" content=\"The exhibition will be the first to explore the time de Kooning spent in Italy in 1959 and 1969 and the profound impact those visits had on his work. 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