{"id":13222,"date":"2024-09-26T16:32:35","date_gmt":"2024-09-26T14:32:35","guid":{"rendered":"https:\/\/www.marsilioarte.it\/?post_type=prodotti&#038;p=13222"},"modified":"2025-01-13T10:22:13","modified_gmt":"2025-01-13T09:22:13","slug":"helen-frankenthaler-painting-without-rules","status":"publish","type":"prodotti","link":"https:\/\/www.marsilioarte.it\/en\/prodotti\/helen-frankenthaler-painting-without-rules\/","title":{"rendered":"Helen Frankenthaler. Painting Without Rules"},"content":{"rendered":"<strong>The poetic abstractions of one of the most important American artists of the 20th century.<\/strong><br \/>\r\n<br \/>\r\nGoing beyond established canons, in an unceasing quest for a new expressive freedom. This is the creative world of Helen Frankenthaler (1928-2011), one of the most influential figures in the American artistic movement of the 20th century, celebrated for her innovative approach to art and her fundamental role in the transition from Abstract Expressionism to Colour Field painting.<br \/>\r\n<br \/>\r\nOn the occasion of the exhibition <em>Helen Frankenthaler: Painting Without Rules<\/em>, organised by the Fondazione Palazzo Strozzi and the Helen Frankenthaler Foundation, open to the public from 27 September 2024 al 25 January 2025, Marsilio Arte is publishing the catalogue edited by Douglas Dreishpoon, director of the Helen Frankenthaler Catalogue Raisonn\u00e9.<br \/>\r\n<br \/>\r\nA prominent member of the second generation of American abstract painters after the war, Frankenthaler broke onto the American art scene with an approach to painting unconstrained by rules and a capacity for improvisation that have rewritten the story of the genre. With her innovative technique of stains and blots of paint, Frankenthaler explored a new relationship between colour and form, expanding the potential of abstract painting in ways that still inspire artists today. Working with colour and space, abstraction and poetry, the artist stood out for her unique ability to combine technique and imagination, experimentation and improvisation, taking her practice beyond the limits of established canons and pursuing a new freedom in painting.<br \/>\r\n<br \/>\r\nThe exhibition presents a broad overview of Frankenthaler\u2019s work, looking in depth at the evolution of her personal style through the different periods of her career. A selection of paintings and sculptures, produced between 1953 and 2002, holds a dialogue with the creations of her artistic peers, including Anthony Caro, Morris Louis, Robert Motherwell, Kenneth Noland, Jackson Pollock, Mark Rothko, David Smith and Anne Truitt.<br \/>\r\n<br \/>\r\nThe catalogue <em>Helen Frankenthaler: Painting Without Rules<\/em> that accompanies the major retrospective examines the painter\u2019s artistic affinities, influences and friendships. At the heart of the volume are essays by Douglas Dreishpoon, in which he makes interesting comparisons between Frankenthaler\u2019s works and those of other artists with whom she had ties, in particular David Smith, Anne Truitt and Anthony Caro.","protected":false},"featured_media":13223,"template":"","tags":[],"collane":[346],"categorie":[354],"artisti":[],"istituzioni":[453],"class_list":["post-13222","prodotti","type-prodotti","status-publish","has-post-thumbnail","hentry","collane-catalogues","categorie-contemporary-art","istituzioni-palazzo-strozzi-en"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.2 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Helen Frankenthaler. 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